Female Jazz Guitarists

While jazz music has seen many a splendid and legendary male guitarist such as Eddie Lang, Carl Kress, Nat King Cole, Benny Goodman and Wes Montgomery, the number of female jazz guitarists has always been scarce but never any less profound. These women brought in their own unique styles and technique of playing, into the age-old genre and thus left an everlasting impression. Here is a list of the top 10 female jazz guitarist ever to have performed and some still performing.

Best Female Jazz Guitarists of All Time

1 – Mary Osborne
Mary Osborne (July 17th 1921 – March 4th 1992) deserves credit for being the only female electric guitarists of her time! She was from Minot, North Dakota and was a sensational guitarist and had amazing stage presence. It is believed that no one has yet managed to take on the elegance and grace Mary had as a performer, while on stage. Her biggest inspiration was the all time great swing and jazz guitarist Charlie Christian. Mary toured and performed with legends such as Buddy Roggers, worked with the amazing jazz pianist MaryLou Williams and the sensational singer Billy Holiday to name a few.

2 – Ana Popovic
Ana popovic is a Serbian born blues guitarist, song writer and singer. She was born in 1976 and is currently still performing at the age of 35. She was introduced to blues at an early age by her father Melutin, a well-known guitarist and bassist. She formed her first band Hush at the age of 19. She and her band have been performing live all over the world. She is extremely well-known for her slide guitar skills when playing electric funk. She is the first female European to be nominated to the W.C Handy Award held in 2003. In 2007 her album “Still Making History” stayed on the U.S. Billboard blues chart for 19 weeks straight and reached the 3rd rock music online rank. Her albums include:

Hush!
Comfort To The Soul
Still Making History
Blind For Love

3 – Barbara Lahr
Lovingly addressed as the voice of German Southwest, Barbara Lahr is a phenomenal performer. Her guitar playing skills are exceptionally diverse, controlled and eccentric. It seems as if the music composed by her evolves with her mood. She can play rock, blues, progressive ambient music to psychedelic triphop! She also has an excellent singing voice and can effortlessly modulate her voice from sultry to deep throated tones. Her famous works include:

Good Boy
New Flower
Worked with Dream Theater for the soundtrack of the movie (Raven Black Magic Rock)

4 – Emily Remler
Remler began playing guitar at the age of 10 and never looked back from then on. She was not really into blues and jazz, until she was introduced to it while at Berklee. She was greatly influenced by Wes Montgomery whom she idolized. She was also influenced by the works of Miles Davis and John Coltrane. After completing college, she worked with bands such as the FourPlay and Little Queenie and performed with them in clubs. By the year 1981, she had begun her solo carrier and sky rocketed to fame. Remler died at the young age of 32 year from a heroin overdose which caused her heart to stop. Her famous works involve:

Firefly
Take Two
Catwalk
East to Wes

5 – Vicki Genfan
She is the queen of finger style guitar plucking and playing. Vicki Genfan is also a singer and can play many jazz instruments such as the piano, hand percussion, banjo and the trombone! She is essentially a jazz folk musician and released her first album in 1994. She refers to her genre as the ‘Folk meets Funk’ and experiments a lot with world music.

Native
Outside The Box
Vicki Genfan Live
Up Close & Personal
Indie Music For Life Compilation
Indie Music For Life Pop/Jazz Compilation

6 – Leni Stern
Leni Stern is an electric Jazz guitarist and singer from Munich, Germany. She took up music at the age of six by starting with the piano, which perhaps may be the reason why she has such an amazing voice. She started playing the guitar when she was eleven but never really took it as seriously as acting. It was only in 1977 that she finally realized that music was more important to her than acting. She has been deemed as the most creative artists of her time because of her uncanny ability to blend jazz with world music. Her music has influences from African tribal beats and she has worked with many renowned African musicians and singers. She is married to the world famous jazz guitarist Mike Stern. Her famous works include:

Clairvoyant
Alu Maye
Africa
Spirit in the Water
Sa Belle Belle Ba

7- Monnette Sudler
Monette Sudler is an American Jazz guitarist and composer. She has been performing for over 30 years now and had worked with many brilliant jazz musicians. She is presently a member of the Grammy Foundation and has been playing an active role in the Aerican Composers Forum Community Partners Grant. Her project is called ‘Mend the Mind, Free the Soul’, which works with the Community Council for Mental Health, Mental Retardation, Inc. Some of her famous works include:

Brighter Days for You
Other Side of the Gemini
Time for a Change
Meeting of the Spirits
Where Have All the Legends Gone?

8 – Natalia Zukerman
Natalia Zukerman is an exquisite folk singer and plays a diverse range of music genres on her guitar. Her influences include Jazz, Blues, Bluegrass, Country and Rock. She is excellent at her lap steel and electric rock music history guitar skills. She is truly an inspiration for youngsters who wish to take up music professionally. Her famous works include:

Brooklyn
Gas Station Roses
Sorry Side of Town
Come Undone
Rock music website Little Bird

9 – Sheryl Bailey
Sheryl Bailey is often lovingly called the “Sizzling Guitar Goddess’. She hails from Pittsburgh, Pennsylvania and was fortunate to have been born in a completely musical family. Her main interest in guitar began with her love for Rock music, but fell in love with jazz after listening to Wes Montgomery. She has also been teaching and is presently one of the faculties ofBerkley. Her famous works:

Little Misunderstood
Reunion of Souls
The Power of 3!
Bull’s Eye
A New Promise (2010)
For All Those Living

10 – Mimi Fox
Mimi Fox has a huge international following and is tremendously revered for her simple yet amazing jazz guitar skills. Being a composer as well, Mimi Fox has written and performed for dance projects, orchestras and documentary films. She has the ability to belt out improvised solos at a heartbeat which leaves her audience spellbound and mesmerized. She has nine recording to her credit along with a jam packed touring schedule which takes her to millions of fans, the world over. Her famous works include:

Perpetually Hip
She’s the Woman
Standards
Turtle Logic
Two For The Road

Their individual contribution in the world of music cannot be summed up in words. Their fans are living testaments of this very fact. Apart from performing, some of these legendary guitarists have taken the time and efforts to propagate the study of jazz. They take workshops and have courses which are helping people learn jazz music. These women are an inspiration to all those who wish to pursue their musical dreams.

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Michael Jackson The Lost Childhood

Now deceased, Michael Jackson is more powerful than ever before. This story has made frontline news in all the world paper for 3 days straight now. No other news is seemingly is so captivating; not Jon and Kate, not US economic woes, not even the wars in Iraq and Afghanistan.

Michaels?death has suddenly revived his career. Yes, revived. In all likelihood, he may generate more money then he ever did alive. Already record stores, iTunes, and Amazon have experience enormous demands. Elvis, John Lennon, Jim Morrison all experienced the same.

Michael legacy will most likely focus on the days he produced Off the Wall and Thriller. Those two albums alone produced more hits then most musicians have in their entire careers. His music videos eat It? illie Jean? and hriller?transformed music videos from a mere promotional tool to an art. It helped ignite MTV. His career in a nutshell: 2 time inductee into the Rock and Roll Hall of Fame (as a solo artist and member of the Jackson 5), 13 Grammy Awards, 13 Number one singles, over 750 million albums sold worldwide, and billions of dollars generated.

–The Lost Childhood–
As the world learned, however, was that Michael Jackson had a dark side that involved child abuse, neglect, and accusations of child molestation. You find can an entire populace of people with similar history in prison.

It wasn enough that Michael suffered a lost childhood. He was never allowed to be own person. His spirit was never free. Instead, his life became a tool for others to make profit of his enormous talent. His father, Joe Jackson, was not a successful man on his own by any means. He was a steel worker during the day, hardly carrying enough change in his pockets for lunch.

To his credit, however, Joe Jackson was a driven man. He played in a band and was a talented guitarist. Perhaps he had dreams playing for record label, but fell victim to the circumstances in his day: poverty, racism, and missed opportunities.

To some, growing old and not fulfilling your lifelong dream is intolerable. Joe Jackson may not have wanted any of that. So, his kids became the pawns for his success. According the Michael and his sister LaToya, Joe Jackson was a tyrant with an iron fist. He rock music history ran the household with fear, intimidation, and complete lack of concern about his children feelings.

In addition, Michael had to endure the challenge of being in a one-income household with ten kids. Normally with large families siblings would play and fight with each other. In the Jackson household, it seemed that band practice took precedence to growing up and living a normal childhood.

Despite the hardship, Michael was born to be an entertainer. For years the Jackson 5 played in local venues and won rock music online numerous competitions. It was not till Michael joined the band did MoTown Records take notice.

–The Baton is Passed–
Smokey Robinson said, ichael had the talent of someone years his age.?Which Michael at the realm, the Jackson 5 attracted television and record deals. Like many child stars, however, Michael was forced into world that God never meant for children. Michael never experienced a childhood. He was busy making money for his family and for the record labels. He was a moneymaker. Despite the claims from those who say they loved him and showed genuine concern, he was a music moneymaking machine. The self-worth was solely based on that. If he stopped producing, they stopped caring.

In 1979, the record ff the Wall?was a solo act without Michael tyrant father or his brothers. Quincy Jones was the man behind the project. Together, Jones and the 20 year old Jackson produced the first ever album to generate US top 10 hits including blockbuster songs like “Don’t Stop ‘Til You Get Enough” and “Rock with You”.

The man was only 20!

At 20 years old most people are in college, partying, studying for college exams, or thinking of their careers. Michael remained what he was since he was 10, a money making machine. Not a man with feelings, not a man with a spirit, and a human being. He was money making machine, the darling of the media, a man with billions of dollars, yet no life.

At 24, Thriller was released. It the greatest album I have ever purchased. For Michael, the arrow had reached its peak and is now failing.

— Energy Released ?His deal with Children –
It little wonder why Michael had that special relationship with children. He wanted to be around them, especially young male boys. Why? Because he was never allowed to experience having a est friend? or play outside with friends after school, like normal kids do.

It just human nature to make up for lost experience. It not unusual for teenage moms, as soon as their children are grown, to dress up in sexy garbs, hang out at bars, and date younger men.

Michael inner demons were not demons. They were yearnings. Yearnings to have the God given right to a normal childhood.

Did he molest young boys? I not sure, but then I wonder why an innocent man would pay the family of one of his so-called victims $20 million to keep their mouth shut. I don know the details, nor will I speculate.

–Career Revived in Death–
In years to come there will be speculations if Michael did actually die? The same theories floated around about Elvis and Jim Morrison. Elvis and Jim Rock music website Morrison made more money in death then they did alive.

Will that happen to Michael? Most likely yes.

The greatest gifts Michael left us his music. He is the ing of Pop?and the greatest entertainer since Elvis and the Beatles. More important, for those who wish to live their successful through their children, look at Michael life and where it went.

He became a lost soul with billions of dollars. As it was mentioned in the Bible,
What good will it be for a man if he gains the whole world, yet forfeits his soul? Or what can a man give in exchange for his soul? ?Matthew 16:26

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Disco Biscuits Tickets

Disco Biscuits- a name too hard to forget. isco Biscuits?is perhaps the only Street Team non-profit volunteer program that is playing for kids, so that the kids can also take part in supporting and promoting The Disco Biscuits. The name Of isco Biscuits?was suggested by one of their friend Rob Hainey. They all liked the name and named their band after it, though later on they realized that the name doesn go with the band but with the time passing the sound of the band has developed to match the name. They distinct themselves from the conventional Philadelphian Grateful Dead-type Rock music website jam band music by intermingling electronic beats and jams in their music.

This style of mixing is known as rance-fusion? but with reference to isco Biscuits? it is known as isco? For isco Biscuits?this is just a start, they knit innovation in anything they play. They are famous for their own unique trends of Music. They have the potential to sing long sets together. They use nverted?and yslexic?style in their songs, in these styles they sing their songs backwards. In inverted adaptation of a song, a band sang a song by its ending segment first, which is followed immediately by its beginning segment and a jam carry on with inverted style and fuses into another song. Dyslexic song is somewhat similar to inverted but with the variation rock music online that the segments of a song are not played consecutively like, ending of 1, 2, 3, 4 songs but the beginning of 1 and 5. Additional technique used by isco Biscuits?is very famous known as fakeout. In fakeout the band plays jam which normally heads into one song, but continues into another unexpectedly.

Wow! Quite confusing hmmm, imagine isco Biscuits?use all these techniques in their music. God they are talented. Using inverted and dyslexic techniques their songs can begin on one night’s show and end the next night. Their approach toward music is at the same time highly interesting and confusing. One has to know their nature of music. Their die-hard fans enjoy their anticipating trend of singing. Actually these fans are very much in the game of fascination of guess like what song they are going to play next? And it lessens their enthusiasm to know it before hand. For their fans this mingling of different medium of music is the most electrifying part. On the other hand for a new listener it could be quite offending. Their technique of playing music indulges the listener immediately to their style of singing to enjoy. Which is rather a difficult task for a new comer.

Disco Biscuits is a Philadelphian band. The band having four principals Jon Gutwillig on guitar, Marc Brownstein on bass, Allen Aucoin on drums and Aron Magner on keyboards. Former drummer Sam Rock music website Altman played his last concert as drummer for The Disco Biscuits on 8/27/2005.This four-member jam/rave band first began its career in 1996 after they met while attending a college in Pennsylvania. They all share vocal duties-with the drummer of the band Sam Altman. The Guitarist and the lead vocalist Jon Gutwillig once declared that the ambition of the band is to create the wildest — or craziest — music of all ages. And to a great extent they proved it. Another reason for fusion is to get the entire kids fan that like both jam and rave and it certainly worked. Their alluring dancing style has been dubbed rance Fusion”. Most of the people says that their dancing style have resemblances with Frank Zappa, though the group members always deny that. Disco biscuits are renowned to leap into a classical or a classic jazz slice in the middle of an extended rock jam. Their music beautifully intervenes rock, techno, jazz, soul, blues, and classical. This fusion took them to the upper level of the jam/groove outlook. Unconventionally Disco Biscuits songs are first written for live shows and then recorded. Normally musical bands first record their songs then sing them live. Disco Biscuits was signed by Hydro phonics Records in 1998 and then released their second CD he Uncivilized Area? Their third, hey Missed the Perfume? was an overall hit in 2001. Continually moving into a more daring combo with the passage of time, the cruder enoir Boombox?came out in the fall of 2002.

Philadelphia has been a main force in Rock music, for almost half a century. Disco Biscuits are the jam/rave band, which is making Philadelphia history even richer; they are mixing culture and traditions along with music.

For more details visit: http://www.ticketnest.com/concert-tickets/Disco-Biscuits/index.php

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Best Hip Hop Party Songs

You listen to the beats and the music and you cannot help but doing a jig or two. That is the charm of hip of songs and music. You just cannot shake your leg and let your hair down. For those who are the quintessential party animals and music enthusiasts, hip hop I guess is almost a way of life. Originally having its roots in African Americans who used this music as a way to express their feelings in times of turmoil, hip hop music spread all over USA and Rock music website then the world. Hip hop is an inevitable aspect of club music as well as the life of a party. So if you are planning to throw a party, here is what you need – best hip hop party songs!

Top Hip Hop Party Songs

Ready to Die
Notorious B.I.G.

Outkast
Ms. Jackson

Jesus Walks
Kanye West

Walk This Way
Run DMC and Aerosmith

Rock the Bells
LL Cool J

Summertime
(DJ Jazzy Jeff & The Fresh Prince song) Will Smith

I Got it Made
Special Ed

Reunion
Slum Village

Why
Jadakiss

Gin and Juice
Snoopdogg

Stan
Eminem

I Seen a Man Die
Scarface

Teenage Love Affair
Alicia Keys

The Choice Is Yours
Black Sheep

These were some of the hip hop party songs, which almost all the hip hop lovers are crazy about. But hey, hang on, the list does not end here! (told you it is a long list!). There are some more which are a must when it comes to the best hip hop party songs. Read more on classic hip hop songs

Good Hip Hop Party Songs

Paul Revere
Beastie Boys

I Wanna Rock
Rob Base and DJ Eazy Rock

Paid in Full
American rap duo Eric B. & Rakim

Run This Town
Jay-Z

Heartless
Kanye West

Beautiful
Eminem

Face Drop
Sean Kingston

I Wanna Rock
Snoop Dogg

I Look Good
Chalie Boy

Where is the Love
Black Eyed Peas

Remember the Name
Fort Minor

My Humps
Black Eyed Peas

Hey Ya
Outkast

Prom Queen
Lil Wayne

Baby By Me
50 Cent

What Hurts the Most
Cascada

Contagious
Avril Lavigne

I Need Love
LL Cool J

The Breaks
Kurtis Blow

rock music history My Rock music website Minds Playing Tricks on Me
Geto Boys

U Can’t Touch This
MC Hammer

Planet Rock
Afrika Bambaataa

There are many more as the hip hop party songs list is an unending one. The more number of hip hop artists there are, there are going to be an endless number of hip hop songs. Moreover, these songs might be drastically different from each other, but there was one thing in common amongst all these best hip hop party songs. That was that these struck a chord with the listeners and somewhere the listeners could relate to it.

Another thing about the hip hop songs specifically about a decade or two was that they had significant undertones of a social message and social awakening. There are such songs in contemporary hip hop too, but they are comparatively less. Precisely I think that is why each of the songs which were popular in 80′s and 90′s had a story behind them. Read more on the best hip songs ever.

All these things make hip hop a unique style, as basically lyrics and the beat is what attracts attention rather than the melody, which is complimentary to hip hop dance. That is understandable, considering the time when hip hop came about. Melody was not important, the message, through the lyrics was far more significant. That’s it! If you have not heard these great hip hop party songs, please do!

I sign off here and catch up on of those best hip hop party songs!

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Best Techno Artists

In simple terms, the word ‘techno’ relates to a music genre which rock music online falls in the electronic music category. This type of music is associated with the use of different technologically advanced music production instruments to make music with loops of beats and sounds. Techno came into the music industry in the late 1980s when there was a large impact of metal and hard rock music. The most prominent musical instruments and equipment in techno music composition were drum machines and synthesizers.

Nowadays, advanced forms of this type of music is played in discotheques. Due to the advent of sound machines, music production software, and high-end synthesizers; the creation of techno songs and music has undergone a drastic change since its emergence. Techno artists and musicians have developed their own styles and patterns to electronic music. Today, most techno artists use audio and effects software to create music, instead of equipment in traditional music studios. There are some notable musicians who are considered the best rock music online artists by lovers of this music genre. As techno music was developed mainly in Detroit, Michigan in the States; a majority of techno musicians come from the same community. In the following, some of the most popular techno artists are discussed.

Best Techno Artists of all Time
Juan Atkins
Orbital
Kevin Saunderson
Blake Baxter
Carl Craig
Eddie “Flashin” Fowlkes
Chris Liebing
Adam Beyer
Slam
Inner City These are some of the best techno artists from around the world. When techno music was in the developmental stage, it spread to many European nations such as Sweden, Finland, Germany, and the UK. Few notable techno artists from these countries are mentioned in the following.

List of Notable Techno Artists
John Acquaviva – Canada
The Advent – United Kingdom
Dave Angel – United Kingdom
Si Begg – United Kingdom
Daniel Bell – USA
Joey Beltram – USA
Octave One – USA
C. J. Bolland – Belgium
Frankie Bones – USA
Thomas Brinkmann – Germany
Basic Channel – Germany
Dave Clarke – United Kingdom
Carl Cox – United Kingdom
Kirk Degiorgio – United Kingdom
Vladislav Delay – Finland
The Black Dog – United Kingdom
Drexciya – USA
Darren Emerson – United Kingdom
Dominik Eulberg – Germany
A Guy Called Gerald – United Kingdom
Laurent Garnier – France
Jeff Mills – USA
Fred Giannelli – USA
Hardfloor – Germany
Richie Hawtin – Canada
DJ Hell – Germany
Robert Hood – USA
Ken Ishii – Japan
Speedy J – Netherlands
Alexander Kowalski – Germany
Cari Lekebusch – Sweden
LFO – United Kingdom
Derrick May – USA
Paulo Nascimento – Portugal
Kenny Larkin – USA
James Pennington – USA
Regis – United Kingdom
DJ Rush – USA
Slam – Scotland
Pan Sonic – Finland
808 State – United Kingdom
Surgeon – United Kingdom
System 7 – United Kingdom
Keith Tucker – USA
Aphex Twin – United Kingdom
Umek – Slovenia
Underground Resistance (UR) – USA
Underworld – United Kingdom
Sven Vath – Germany
Ricardo Villalobos – Chile
Vitalic – France
Cristian Vogel – United Kingdom
Adam X – USA
Pacou – Germany Let us move on to a list of the best techno artists of 2010.

Best Techno Artists of 2010
Alexey Kotlyar
Chris Dynasty
Peppelino
Tek-No-Bee
Omega Drive
Ivica Petak
D.A.V.E. The Drummer
Thermo
Wyrus
A.S.Y.S. Note that this is an incomplete list of the most notable techno artists. There are many more which I may have excluded from this list. You are always welcome to comment regarding which ones I have missed out on. Techno has been further categorized into different types of Rock music website modern electronic music. Today, many DJs around the world can create techno music using a variety of music software and relevant audio equipment. This has certainly opened newer avenues for different techno music genres to come into the picture. As a result, there are sub-genres of techno which have gained popularity such as acid techno, eurodance, tech trance, dub techno, ghettotech, and many similar ones. If you have the essential music production tools and facilities, even you can create techno music and songs and share it with other music enthusiasts over the web.

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Positive Music for a Relaxing Meditation

Meditation music produces measurable results. It slows our heartbeats down to about one beat per second, which can rock music history allow us to relax, let go, meditate and/or fall asleep.

There are different types of meditation however, and different types of music are appropriate for each. A relaxing meditation is intended to help you slow down and release stress, so the best music is easy to listen to and has elements that embody peace and harmony. The instruments and type of music are those that you associate with these qualities. This can differ from person to person. For example, you might associate flute music with lilting tunes and it might then invigorate you, while someone else may equate flute music with peaceful forest scenes or waterfalls.

Positive music is the best kind for meditation because it has beneficial qualities and is emotionally and spiritually uplifting, many believe even healing. Additionally, it can be relaxing, calming, or even physically and mentally stimulating. Positive music is not about lyrics, but about the music itself.

The music of the ’50s was almost all positive, so much so that there was no need to call it that, as Rock music website there was no “negative” music to speak of. Today’s music is much different; heavy metal, grunge, punk rock, and other genres all contribute to a large body of negative music, music that expresses and evokes images of anger, fear, ugliness, hatred and pain. Even classical music written with a lot of discord can be considered negative. In the early 20th century, the works of Arthur Schonburg were rejected and in some instances almost caused riots amongst concert goers. Since then discordant music has been accepted and incorporated by modern music composers and music schools.

Negative music has become a part of modern tv and movies, forming the basis of music scores that evoke terror, suspense, and fear, and thereby helping to shape modern culture.

Positive music, on the other hand, has been present through all time, and thanks to modern media, people are becoming aware of positive music forms they never even knew existed before, examples of which are Gregorian chants and ancient Jewish and Arabic music. Positive music has the ability to transform and uplift, infuse people with feelings of content and wellbeing.

This is not to say that sad music is negative. I’m thinking Rock music website specifically of the music of Sarah McLachlan when I say that a singer/songwriter can reach deep and then soar, and leave you with a feeling of being understood in your sadness, yet uplifted with comfort and hope. There is rock music such as the music of the Moody Blues or U2 which can evoke images of angels.

This is not a statement about any particular genre of music in its entirety, just that if you listen carefully, you will recognize whether the music you are listening to is positive or negative by the way your mind, body, emotions and psyche react. When you are practicing a relaxing meditation, you can learn to choose the right music, and positive music is a great place to start.

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Why Does God Permit Evil

It not a new question, of course. Those believing in God want an answer that supports rather than dissolves their faith. Atheists offer this conundrum as an evidence that the od?their philosophical opponents postulate cannot exist. In their minds, an all-powerful God who is good would hate evil, and would use His power to eradicate it. Of course, this position has some theological problems for the theist, but apparently not for the atheist.

But I getting ahead of myself. I received an invitation to download an ebook that dealt with this question. It was offered by a group calling itself the Orlando Bible Students (formerly the Dawn Bible Students Association) and I think it fairly reflects the position that many onservative Christian?people take on the question. I thought it lacked depth, but I think many church-goers are enamored of rock music and fellowship, and likewise lack depth. Still, after this effort, I felt a cogent answer was not offered. And I wrote to suggest a dialog. They have not yet written back.

This being the case, I will post this article and send them the link, and we shall see what happens.

Their approach started by discussing natural disasters. f God hated evil, why would He allow volcanos and tsunamis and earthquakes??I think this question misses the point entirely. Because natural disasters aren evil.

Unpleasant, certainly. But there is nothing in God moral law against hurricanes and tornadoes, even if property is destroyed or people get killed. It is simply not a moral issue. God owns the property and God owns the people. Our God is in heaven; He does whatever He pleases. (Psalm 115:3) And He is not accountable to us.

Suppose there is a major baseball game. It the bottom of the sixth, and the pitcher on the mound is having the best game of his life. A mile away, a farmer is watching his parched crops wither away. Suddenly, a rainstorm blows in, ending the game but bringing the rain the farmer so desperately needed.

Was this evil? Obviously not. It simply didn suit the preferences of one person subject to it. Now, rock music history let add a tornado to the mix. It tears through the ballpark and kills the pitcher and 19 people in the stands, including a 1-year-old child. Is this evil? Can we lay this monstrous sin at the feet of Adam and Eve? Or God? Who sinned? Whose fault was it?

I have maintained, and I think the Bible supports, the idea that there is a connection between the moral Rock music website universe and the physical universe. But it would be an unwarranted leap to suggest that our specific transgressions trigger earthquakes or tornadoes or anything else. God only knows whether that one-year-old would rock music online have grown up to be a brilliant doctor or a mass-murderer. In this case, God sovereignly decided otherwise. In any event, it is God prerogative to decide who lives where and for how long, and how their time on earth will be ended.

God has given us this world to live in. It may not suit all of our preferences, but He is not required to accommodate us with gentle breezes, balmy weather, and geologic stability. This is where we live, and wee allowed by His grace to live here.

* * * * *

This leads to the next part of the issue. Suppose this one-year-old had not been brought to the game, but had been left with a care-giver who turned out to be a psychopathic child-killer. Since I have taken the position that it God prerogative to decide, is the psychopath innocent because he was just doing what God obviously ordained? That is, if God wanted the child to grow up, it would have been impossible for anyone to kill him. Either that, or God really has no sovereignty, just some strongly held preferences.

I think this gets closer to the real issue, and this is where I wish to clarify. To do so, we must begin by clarifying how profound and pervasive sin is in the human heart. And these thoughts are not pleasant.

I begin with an indictment against the consumer-driven mentality and theology of the modern American evangelical churches. I believe they have seriously trivialized sin and, as a result, have necessarily trivialized salvation. Nowhere in the scriptures do you see someone getting saved by opening the door of their heart and inviting Jesus to come in and be their personal savior. People are never described as being asically good?or as well-intentioned but imperfect. We are consistently described as deceitful, desperately wicked, undeserving, self-centered, brutish, vile, loathsome, having a lust for evil. We are not even a teensy-weensy bit good. We are totally depraved.

Now, is this otal depravity?something that we just inherited from Adam, over which we had no control? I mean, a pig can help being a pig: both its parents were pigs. And pigs by nature will roll in the mud. Can you blame them? And if our parents were both sinners, and their parents before them, can we be blamed for just being what we are?

That a fair question, and it deserves a straight answer. But the straight answer is a little more metaphysical than most people are used to considering. Let me start with a question: If God ceased His creative activity 6,000 years ago, then where have you been?

There is an interesting clue in the 7th chapter of Hebrews. In this passage, the argument is presented that Levi paid tithes to Melchizedek while he was still in the loins of Abraham. This is presented as part of a substantive argument for the superiority of Christ the High Priest over the Levitical priesthood. The point is that Levi had personhood, and moral capacity, before his grandfather was even born. This wasn a theoretical, imaginary, or metaphorical construct. The author (Paul, I believe, but we can discuss that later) was laying out a concrete theological argument. Levi paid a tithe.

Levi was credited with an act of subservience. Let look at another example: God stated His love for Jacob and his contempt for Esau before either was born (they were fraternal twins) according to Romans 9:11. Another suggestion of pre-embrionic existence and moral culpability is in Exodus 20:5, Exodus 34:7, Numbers 14:18, Deuteronomy 5:9, 2 Kings 10:30 and 2 Kings 15:12. In each of these passages, the reach of God judgment or blessing reaches to the fourth generation.

Saul of Tarsus was consenting in the matter of the death of Stephen, and even though he threw no stones, he had Stephen blood on his hands from that day forward, and he knew it. Similarly, though I did not actively cause or even participate in the sins of my great-grandfather, it appears that I was consenting or in some other way participating. And with that comes a measure of culpability. God would be unjust to judge an innocent person, or to visit the consequences of sin on someone who had no sin.

The disciples apparently understood this. In John chapter 9 they asked if a man sin had caused him to be born blind. Reincarnationists like to mis-apply this verse, but it is clear that Jewish theology never had any support for reincarnation. But they were familiar with the verses previously cited. Was the man who was born blind simply receiving judgment for pre-embrionic transgression?

Jesus said o?but did not discount their question.

God limits His judgment to four generations, but we read in Romans 5 that od commendeth his love toward us, in that, while we were yet sinners, Christ died for us.?In other words, I was a sinner when Christ died for me. I was a sinner before I was even born. And where was I? In the loins of my forebear. I was in Adam when he transgressed and, because of that, I became subject to death. I was, by nature a child of wrath. In some sense, I participated.

* * * * *

Besides the sci-fi flavor of an argument like this is the question of implications. Certainly we can put newborns on trial for the sins of their fathers. And my intention is not to deal with ins?but with sin. The point is that we are not innocent, and haven been for 6,000 years. Similarly, we can properly argue that a child just needs a little bit of Jesus because his sins are few and minor, whereas a 40-year-old man might need whole lotta Jesus?because he been screwing up so much more seriously. And we certainly can reason (though some do) that we just need Christ to supplement our righteousness, or to make up a shortfall or pay the part of our debt that we can manage.

We wonder how a just God could send that dear little old lady who did so many nice things to the same place of torments He sends Hitler. But this simply betrays our ignorance of both sin and God holiness. So let consider for a moment the case of a homeowner who owns two dogs.

One is a rather large dog, perhaps a German Shepherd. Fido the Shepherd is not housebroken. The other is a Chihuahua named Spot. Spot is not housebroken either. Both dogs will, by nature, relieve themselves whenever and where ever they have the urge.

Both unload on the living room carpet. Clearly, Fido makes a bigger mess. Is he, therefore, less housebroken than Spot?

Both are placed in the kitchen, where there is a linoleum floor. The mess this time is easier to clean up. Would you conclude that they are more housebroken in the kitchen than in the rest of the house?

There is a folding gate between the kitchen and the living room which Fido can jump over, but Spot can. So Fido makes another mess in the living room. Or ?the homeowner sees both dogs sniffing and circling and rightly guesses that the time is coming. He is able to hustle Spot out into the back yard, but Fido makes his mess on the floor. Was Spot a ood dog?for going outside?

All we bring to our relationship with God is rebelliousness, recalcitrance, wickedness and iniquity. That it. We are, as noted in Ephesians 2, natural children of wrath. We are, therefore, totally culpable for not only the sins we consummate, but the sin in our hearts. Read your Bible: the lust of the eye, the lust of the flesh, and the pride of life. Jesus?judgment for the one who has committed adultery with her already in his heart by just a lustful gaze. Wee a lot worse than we like to think, and a lot worse than most pastors are willing to tell us.

We don know what awful thoughts the little old lady had. However, we can affirm with some confidence that the only difference between her and Hitler was opportunity.

And where is God in all this? He shapes our lives, limits our opportunities, constrains our evil. Paul says this in 2 Corinthians 5 when he writes the love of Christ constrains us. onstrain?means o force by imposed stricture, restriction, or limitation.?What is in us that requires imposed stricture, restriction, or limitation? Is it our natural tendency to love one another? I would suggest that it is our inherent wickedness.

Joseph brothers wanted to kill him. God constrained their evil and preserved Joseph alive and, as Joseph told his brothers later, You meant it for evil, but God meant it for good. Even the finest ood?deeds are tainted unless they are done completely out of love for God. Half-hearted love for God or luke-warm ommitment?to Him is abominable.

We need a SAVIOR, not self-improvement classes, self-esteem enhancement, or a good example.

* * * * *

My indictment continues, because the hurches?that dot the landscape have given us a soft and gentle, meek and mild esus?who comes to us oh so humbly and asks ?no, BEGS us to please please open the door and let him come in. I find it nauseating, as should any true Christian. Wee not doing God any favors and, as a matter of fact, we need to be dragged by the Holy Spirit to the feet of Christ and saved as an act of His sovereign grace. The only ree will?responses we have toward God or the Gospel of His Kingdom is resistance and contempt.

In the grand scheme, it appears to me that ree will?is a singularity rather than an ongoing series of choices. Rather like a mortgage (or a marriage), in that one makes a singular decision at a point in time and then lives out the consequences. At a point in time, I decide as a matter of free will to sign a mortgage. The lender then pre-scribed the outworking of my decision. The outworking may run for 30 years and my performance is mandated.

Another example may be someone who makes a ree will?decision to take a part in a play. His participation is then scripted by the Director. For us, our ree will?decision was to set ourselves in rebellion against God. Subsequently, God in his sovereign mercy, has mapped out the consequences of our decision.

Psalm 139 points this out: n Your book they all were written, the days fashioned for me, when as yet there were none of them. ?(verse 16). The King James language is rather obscure but fortunately, some modern versions are clearer. This is consistent with both the scriptures and the sovereignty of God. Just consider: the Word of God is eternal. The scripture cannot be broken. Judas Iscariot (like the rest of us) had sin and rebellion in his heart. In His sovereignty, and to accomplish His purpose, God allowed Judas the opportunity to manifest his character at a point in history. In love, God constrained most of the evil in Judas?life, as He does in ours. But not all. This particular transgression was not only allowed, but it was scripted. This day appointed for Judas was written in God book before it had come to pass.

David sin with Bathsheba was written in God eternal word. David committed the act as a divinely-allowed outworking of his sinful nature and expression of his ree will.?But God was not sitting in heaven with His stylus poised, waiting to see what David would do so He would know what to include in His eternal Word. God scripted the naming of Cyrus and the events in Daniel.

* * * * *

Here, for the time being, my indictment ends. Our good God takes our iniquity, which is all we bring into this experience, and shapes it for His ends. We are living in a world of restrained evil. Our contribution is the evil, and God is the restraint. He allows transgressions of His moral law because He is sovereign. He allows the consequences of others?sin to fall on us because He is gracious. Were He to allow us unrestrained free will, we would quickly realize that the wrath of man is much more unpleasant than the mercy and grace that God daily visits upon us.

Why does God permit evil? Because He loves us. We are so essentially evil that, were He to destroy evil, he would have to destroy us. Our sin is not superficial, but is at the very core of who we are. The presence of evil is not inconsistent with the existence or omnipotence of God. Rather, it is evidence of His compassion and grace. It simply needs to be seen in the light of our desperate and unreformable wickedness.

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New Professional S Corp Tax Is Dumb

The week before the recent Memorial Day weekend, Nancy Pelosi and her friends passed the American Jobs and Closing Rock music website Loopholes Act of 2010. In a few days, probably, the U.S. Senate will also pass this grab bag of new taxes and spending.

The misnamed act is packed full of questionable legislative decisions, but for small personal service businesses, the new law prohibiting some businesses from using the S corporation rules seems particularly sloppy and dishonest. In a nutshell, the new S corporation law, Sec. 413(m), suffers from three huge flaws:

S Corporation Disqualification Only Applies to Professionals

The first and probably the biggest flaw is that the new law applies only to professional service S corporations. True, Democrats expanded the usual list of professions to include investment managers, investment advisors, brokerage firms and athletes. But even so, the targeted discrimination of the new law makes no sense.

Note: According to the most recent IRS statistics available for the 2007 year, roughly four million small businesses file as S corporations. Of this number, less than 900,000 are even in the general categories that might subject them to disqualification.

Do congressional Democrats want to close the S corporation loophole? Fine. But the loophole should be closed not just for white collar service businesses. The loophole should be closed for all S corporations. Or for all small S corporations.

Note: Democrats plan to raise slightly more than $1,000,000,000 a year from this tax increase. Our own internal calculations indicate that targeted S corporations will pay an extra $5,000 to $10,000 a year in extra self-employment taxes. Simple arithmetic suggests that approximately 140,000 S corporations get hit by the new disqualification taxes–roughly three and a half percent of the S corporation population.

S Corporation Disqualification Another Tax Increase on Investment Income

Another curious fact concerning the new S corp disqualification law: The law doesn’t just close the loophole that allows S corporations (as compared rock music online to sole proprietorship and partnerships) to avoid payroll taxes on business income. The new law apparently also levies payroll taxes (or more specifically self-employment taxes) on all the elements of S corporation profit.

For example, if an S corporation earns bank account interest, dividend income on a brokerage account, or earns rental income on property, this investment income gets tagged with payroll tax.

Note: Individuals don’t pay payroll taxes on their interest, dividend and rental income. Or at least they don’t pay the taxes today. (In 2013, some higher income taxpayers will pay a Medicare surtax on some of their income.) Accordingly, this part of the new law is just a tax increase, plain and simple.

Tip: If you run an S corporation, you’ll want discuss with your tax advisor the possibility of minimizing investment income within your S corporation if this new law, as expected, passes the Senate.

New S Corporation Law Lacks Clear Rules

A final and perhaps a semi-funny flaw in the new law? The law was too vaguely drafted to begin using only a few months from now (which is what the bill requires). And as soon as the sloppy vagueness is cleaned up and can be put under rock music history a microscope by attorneys and accountants, the law is arguably too poorly drafted to deliver the desired impact.

But let me explain. What committee chairman Charles Rangel and the House of Representatives wrote is itself a loophole-ridden law that disqualifies S corp only when “substantially all” of their activities constitute the performance of professional services. So, pop quiz, Charlie: What’s the precise definition of “substantially all?” 95%? 90%? 70%?

The chairman of the House Ways and Means Committee, the principal tax legislating body of the federal government, obviously knows or should know that the phrase “substantially all” means different things in different parts of the tax code. So what does the phrase mean in Sec. 413(m)? Taxpayers and their accountants will need to know. And as soon as they do know, any S corporation with a bit of energy and ingenuity will easily arrange their affairs to avoid disqualification.

And, sadly, the “substantially all” phrase isn’t the only vagueness in the new law. The new law also says that firms only get disqualified when the business principally relies on the reputation and skill of three or fewer employees. What does that even mean? Certainly, the new rule doesn’t just apply to one-, two- and three-employee S corporations. Otherwise the law would say that.

But does the law mean that in a law firm, for example, as long as you have four lawyers you’re not disqualified but if you have only three lawyers you are disqualified? Who knows?

Suppose, for the sake of illustration, that the rock music groups ZZ top (three members) and Van Halen (four members) both operate as S corporations and employ dozens of employees. Musicians as performing aricles represent another target of the new tax law. So is ZZ Top hammered and Van Halen excused? Who knows?

As occurs frequently, the act directs the Secretary of Treasury to write detailed regulations that carry out the purposes of the law and “fill in the blanks”. Nothing is wrong with that. But the new law takes effect starting in 2011. The IRS, unfortunately, won’t have time to write the new regulations in time for tax payers to plan or adjust their operations. In fact, taxpayers may need to file their tax returns for 2011 before the IRS issues final regulations about how the new rule works.

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Motivational Speaking 101

While I don’t claim to be (anywhere near) the best Personal Development Speaker in the world, if you were to Google the search term Motivational Speaker you would typically find that my name usually comes out somewhere near the very top of the list of about two million matches. Now, let me quickly add that this fact has pretty much nothing to do with my speaking skills or my profile, and everything to do with Johnnie’s ability to do what he does with those amazing tech skills of his. I don’t really understand how he does it, but I do know that he’s good and I’m glad he’s on my team.

The two most obvious consequences of this Google ranking are:

a) I get a bunch of speaking work (nice). Thanks Baldy.

b) I get a bunch of emails from people who want advice on how to become a Personal Development/Motivational Speaker (not necessarily the same thing), like this one I received the other day….

Hi Craig,

The area that I am interested in is Personal Growth (not for me – although that’s a continuous journey). I would like to coach/mentor/motivate – I think that covers it!! So I suppose one would have to know, what qualification should one have? Coaching? Training? Uni degree?

Thanks so much for your time,

Andrea

In the next three working days I have four speaking gigs and in 2008 I will deliver over one hundred presentations and workshops here and overseas, mostly to corporate audiences. In the last three weeks I have worked in Fiji, the U.S. and of course here in Australia. It is rewarding, challenging and fun, and I love doing it.

I don’t know that I’m really the person to write a ‘how-to guide’ on becoming a Personal Development Speaker but I constantly get asked similar questions about the same topic so I guess it can’t hurt to briefly share my rock music history thoughts on the matter, keeping in mind that this is not in any way the definitive guide to becoming a successful coach, motivator or speaker, it is merely a snapshot of what I’ve learned along the way, some random tips and what I’ve found to be true for me.

Here we go; Motivational Speaking 101…

1. There is no set formula or process to becoming a successful Personal Development Speaker.

2. Some of the most successful and powerful speakers have no rock music online tertiary qualification or formal training in human performance, psychology or behavioural science. In fact some of the highest paid speakers in the world never finished a university course, or for that matter, any type of course at all. I fell into this field because I realised that creating life-long positive change (what we all want) has very little to do with our body (the field I was in) and almost everything to do with our head. I discovered that my biggest challenge wasn’t telling people what to do, why to do it, or how to do it, but actually getting them to do it (consistently). Change ain’t about knowing, it’s about doing, and it’s in the doing (or should I say, not doing) that people fail.

3. While there is no mandatory ‘pre-requisite’ or course for this field, it is important to be a student of life nonetheless. “The world is my classroom and every day is a new lesson.” Become an expert at observing humanity and you’ll learn every day.

4. Having a vaguely ‘appropriate or relevant’ qualification (communication, psychology, management, philosophy) doesn’t necessarily mean that you Rock music website will be more suited to, or equipped for, the job, however, it may be of value.

5. If you’re not inspired or motivated, you probably won’t inspire or motivate anyone else. I see this with Trainers in gyms all the time; very knowledgeable but about as inspiring as a bowl of soup. You might wanna get inspired yourself, before you try to inspire anyone else.

6. Get in front of groups and talk, anywhere, anytime. And talk. And talk. And keep doing it until you get good at it. And then when you’re good… you can charge for it. You can’t become a good speaker unless you’re speaking often. So, find yourself an audience whenever you can. As with improving any skill, it’s not about understanding the theory (only), but about applying it. Often. In my twenties I did hundreds of talks for free. I’m sure at least one of them was good. Or maybe not.

7. Study other speakers. Don’t copy them but learn from them. What do they do well? What are the skills, qualities and attributes which make them so good?

8. Know and understand your subject matter inside-out. Don’t memorise it, live it. Your presentation shouldn’t be a theory that you share but a reality that you live. Then you’ll speak with confidence and authority. Walk the talk. You can’t teach (effectively) what you don’t do.

9. Develop you own product, style, message. Have you own USP (unique selling proposition) – something which differentiates you in the market place. Replicas and clones are boring. And common.

10. Always operate with integrity and humility. Build respect, trust and a quality reputation as a presenter and educator. By the way, don’t confuse humility for weakness. Humility actually requires real strength.

11. Don’t focus on the money. Focus on becoming the best you can be and the financial rewards will be a by-product of that success. Lose the rock star mindset and patiently, methodically and consciously work at becoming a quality speaker.

12. Be clear and certain about what you want to share. What are your key messages? Be succinct and don’t waffle. Use stories which re-enforce your message. Give people practical, useful information and strategies which can be applied as soon as they leave the presentation.

13. If you use a power-point slide show (if you must), don’t have 300 slides!! Less is more. Don’t have too many words on each slide and don’t use more than twenty slides in a one hour presentation (at the most!).

14. Talk with people not at them. Less lecturing, more conversational chat. People won’t connect with you if they don’ think you’re like them (in some way).

15. Don’t be precious. If you constantly need to have your ego stroked and you can’t deal with criticism then this ain’t the career for you.

16. Don’t be cheesy. As a Personal Development Speaker your goal is to help people effect long-term change in a real and practical way, not to run around a room and whip them into a temporary self-help frenzy. And please do your best not to use smoke machines or rock music as a backdrop. The eighties are over. Some speakers are stuck in a time warp and permanently smell like Parmesan.

So there it was; a brief snapshot into (my version of) the world of Motivational Speaking. I don’t know if that was at all interesting, helpful or relevant to you, but at least now I can simply refer the wanna-be motivators to this post rather than penning all those individual responses. See; I’m really being lazy.

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Pep Rally Songs

Pep rallies are considered as some of the most exciting and youthful events across all Western countries. These rallies are conducted before sports tournaments, concerts and also some party events. They are full of cheers, chants, icebreaker activities and music, which is found to be a great way of motivating players and music performers. When there is music and dance at such events, the atmosphere is pepped up and Rock music website made full of enthusiasm. Therefore, there are many songs that are used at a pep rally to make it interesting. A few of these pep rally songs are mentioned in the following paragraphs to give you an idea about what can be your choices for the same! So, if you are looking for some of these great tracks, pick your favorites from the best pep rally songs coming right up for you.

Good Pep Rally Songs

When you are organizing a pep rally, there are many things that need to be kept in mind. Most of the pep rallies are considered as the best events in school activities, and thus you can suggest themes, games and activities that can be held during the rally. These rallies are major influences on today’s youth and the aim behind them is to motivate players and performers before the desired event. Pep rally ideas include people enjoying them with colorful costumes, cheerleading, banners, chants, music and dance. Thus, as the name suggests, if you want to pep up the rally, take a look at some rocking pep rally songs mentioned below.

Pep Rally Songs List
With rock music online the pep rally songs put together below, you can use them to choreograph a dance or even set some cheerleading stunts on it. These dance songs are great choices to be used in the pre-event rallies which can be very enjoyable, so make the most out of them!
All Hail the Queen – Queen Latifah
All the Small Things – Blink 182
Becoming the Bull – Atreyu
Boom Boom Pow – Black Eyed Peas
Damaged – Danity Kane
Dead or Alive – Bon Jovi
Eye of the Tiger – Survivor
Fresh Prince of Bel Air Theme Song – Will Smith & Jazzy
Funkdafied – Da Brat
Game Over – Lil Flip
Get Ready for This – 2 Unlimited
Hollaback Girl – Gwen Stefani
I Love Rock and Roll – Joan Jett
I’m Out Here Grindin – DJ Khaled
Kiss, Kiss, Kiss – Chris Brown
Let’s Dance – Lady Gaga
Lip Gloss – Lil Mama
Lucky – Lucky Twice
Make Your Move – Avalon Drive
Me Love – Sean Kingston
Music in My Soul – Leigh Jones
Noise and Kisses – The Used
Paradise City – Guns n Roses
Power – Snap
Prayer Of The Refugee – Rise Against
Pretty Rave Girl – I Am X-Ray
Pump Up the Volume – M/A/R/R/S
Rock and Roll – Gary Glitter
Rock Star – Pink
Rockstar – Prima J
Saturday Night is Alright for fighting – Elton John
Shut Up and Drive – Rihanna
Sunshine Highway – Dropkick Murphys
T.N.T – Ac/Dc
Tell Me Something I Don’t Know – Selena Gomez
That’s not my name – The Ting Tings
The Boom! – Nelly Furtado
Unbelievable – EMF
Under Construction – Missy Elliot
We Will Rock You – Queen
What Hurts the Most – Cascada
When I Grow Up – Pussy Cat Dolls
Whine it up – Kat Deluna
Who Let the Dogs Out – Baha Men
Whoomp There it Is – Tag Team
Womanizer – Britney Spears
Yeah – Usher
Zombie Rock music website Nation – Kernkraft 400 With these fantastic pep rally songs mentioned above, I hope you have made a list of the ones you liked! And if you haven’t, pick up a pen and paper and choose your favorite songs to make that pep rally an enjoyable event for all.

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